Vivere con i classici

«Embalming the Greeks and Romans deprived them of their strength, that is, of their conflicting modernity» (from Luciano Canfora’s Introduction).

The conflicting modernity of the classics is the theme of this book: short stories and reflections in narrative form. Alicia Giménez-Bartlett, in an ironic Apologia, portrays a teenage girl, who repeats, “I hate the classics. The changing presence, in the seasons of life, of Ulysses, the prototype of adventure, is Francesco Cataluccio’s path. Daria Galateria illustrates the virtuous avarice that prefers the classics. Fabio Stassi imagines a science fiction scenario: an invincible species of woodworm has attacked libraries. So many write without having cut their teeth on the classics, per Roberto Alajmo: it is the prevalence of the bonghista. Scott Spencer reads Crime and Punishment without neglecting TV series, to profile the future of attraction to great books.


Fabio Stassi was born in Rome in 1962. He is a librarian at La Sapienza University.
He has published for Minimum fax È finito il nostro carnevale (2007), La rivincita di Capablanca (2008), Il libro dei personaggi letterari. From the postwar period to today (2015) and Con in bocca il sapore del mondo (2018).

With Sellerio he has published: L'ultimo ballo di Charlot, translated into nineteen languages (2012, Premio Selezione Campiello 2013, Premio Sciascia Racalmare, Premio Caffè Corretto Città di Cave, Premio Alassio Centolibri), Come un respiro interrotto (2014), a contribution in the anthology Articolo 1. Racconti sul lavoro (2009), Fumisteria (2015, formerly Premio Vittorini for best debut), Angelica e le comete (2017), Mastro Geppetto (2021, Premio Dessì 2022, Premio Benedetto Croce 2022, Premio Stresa 2022) and the "discourse" on the therapeutic power of Dante's verses E d'ogni male mi guarisce un bel verso (2023); and also novels starring bibliotherapist Vince Corso, La lettrice scomparsa (2016, Scerbanenco Prize), Ogni coincidenza ha un’anima (2018), Uccido chi voglio (2020), Notturno francese (2023). He also edited the Italian edition of Curarsi con i libri. Rimedi letterari per ogni malanno (2013, 2016) and Crescere con i libri. Rimedi letterari per mantenere i bambini sani, saggi e felici (2017).

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