I figli che non voglio

A roundup of unorthodox interventions, full of intelligence and critical sense, an essential vademecum for anyone interested in the topic. A discussion that gives us excellent tools to "stop thinking that demographic winter is a moral or economic issue: it is, instead, a matter of perspective, imposing new lenses; it is a matter of political geography and reorganization of the world according to new criteria."
Demographic winter: and before us lie barren, frozen plains to put Game of Thrones to shame, echoes of Shakespearean tragedies resound in the mind. No more children are being made in Italy, where will our civilization go, but most importantly: who will pay our pensions? But what is the point of insisting that the only way to keep the system going is to procreate, even where women - to be precise, a minority of women quantified by ISTAT as 5 percent - despite being in a position to have children, do not want them? With respect to the issue of motherhood, schematism often win out and women find themselves represented either as victims of a country in which having children is a privilege - the precariousness of work, low wages, inaccessible kindergartens, the welfare state that does not provide as it should - or as a handful of cynical, superficial, careerists and future repentants destined for a lonely old age embittered by the regret of not having reproduced. Between these two poles there are the real people, to whom the interventions collected in this book give voice. Many women, but also some men, who have taken up the challenge launched by Simonetta Sciandivasci with lucidity and irony in the pages of "Mirror," a cultural insert of "La Stampa," a challenge to question why one becomes a parent or not, to reason about the different possible physiognomies of a family.


Elisa Casseri is a writer, playwright and author.
She has published the books Teoria idraulica delle famiglie  (Elliot, 2014), La botanica delle bugie  (Fandango, 2019) and the investigation Grand Tour sentimentale (Solferino, 2022).
In 2015, he won the 53rd edition of the Premio Riccione for Theatre with L’orizzonte degli eventi – a text subsequently selected by the Italian Playwrights Project and published in an anthology in the United States and Spain. In 2018, she wrote with Filippo Renda the play Circeo. The Massacre, produced by the Women’s Theater of Calenzano.
In 2021, her anthology trilogy Triptych of Rooms (consisting of La teoria dei giochi, L’orizzonte degli eventi and Il polo dell’inaccessibilità) has become a radio drama series for Scienza e Fantascienza del Valle, a production of the Theater of Rome, directed by Manuela Cherubini. Author of the blogs Melotecnica and Memorie di una bevitrice di Estathè, she also contributes to the literary review Nuovi Argomenti.

In 2022 her short story La dote was published in the anthology Data di nascita, edited by Teresa Ciabatti and published by Solferino. The same year she contributed one of her texts to the collection I figli che non voglio (Mondadori), edited by Simonetta Sciandivasci

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