Armatevi e morite

Anton Chekhov said that if a gun appears in a novel, it must fire. It is a fundamental principle of storytelling: novelistic, cinematic, theatrical. But it is not a stage artifice at all: it is simply reality. Because, data in hand, exactly the same thing happens in life: if there is a gun, it is very likely that it will fire; and many guns a lot will fire. Most often in the least desired direction. The mantra of "easy defense," of "gun-toting citizens," is nothing but illusion and deception, an illogical and irrational path, which - in the reality of facts and numbers, exposed here in all their disarming evidence - makes us more naked, more insecure, more victims. It happens everywhere and in every sphere where the recipe has been cooked.

We have committed centuries of civilization to earn a founding value: the state has the right and the duty to ensure the defense of its citizens and to provide for their security. One can only demand it. To give it up, to advocate "do-it-yourself," is as much a regression as it is madness. The slogan dispensed with resigned levity, "Since the state does not defend us," is nothing but illogical and counterproductive sagging. We can only return to subscribe to what is still carved on the cornice of the police headquarters in Lecce: "Everything in the State, nothing outside the State, no one against the State." Shunning illusory shortcuts.

Those on the right, then, keep in mind that "do-it-yourself" defense is not right wing at all. And everyone, that an accomplished form of gun privatization Italians already know all too well: it is called the Mafia.


Pietrangelo Buttafuoco was born in Catania in 1963 and lives in Rome. He is a journalist and writer.
He has published Le uova del drago (Mondadori, 2005, finalist for the 2006 Campiello Prize, reissued by La Nave di Teseo, 2016), L’ultima del diavolo (Mondadori, 2008), Il Lupo e la Luna (Bompiani, 2011), Il dolore pazzo dell’amore (Bompiani, 2013), I cinque funerali della signora Goring (Mondadori, 2014), La notte tu mi fai impazzire (Skira, 2016), I baci sono definitivi (La Nave di Teseo, 2017), Sotto il suo passo nascono i fiori (with Francesca Bocca-Aldaqre, La nave di Teseo, 2019), Salvini and/or Mussolini (ParerFIRST, 2020).
Among the essays, he published Fogli consanguinei (Edizioni Ar, 2003), Cabaret Voltaire (Bompiani, 2008), Buttanissima Sicilia (Bompiani, 2014), Il Feroce Saracino (Bompiani, 2015), Strabuttanissima Sicilia (La Nave di Teseo, 2017); together with Carmelo Abbate Armatevi e Morite (Sperling & Kupfer, 2017).
In 2016, for the seventieth anniversary of the Longanesi publishing house, he edited Il mio Leo Longanesi, an anthology of aphorisms, epigrams and short stories.
In 2018, he wrote the preface to La repubblica dei vinti. Stories of Italians in Salò by Sergio Tau (Marsilio, 2018).

He is the author of plays including: Strabuttanissima Sicilia with Salvo Piparo and Il Dolore Pazzo dell’Amore with Mario Incudine.
He writes for Il Quotidiano del Sud.
His latest novel is titled Sono cose che passano and was published in 2021 (La nave di Teseo).
In 2023 he published with Longanesi Beato lui. Panegirico dell’arcitaliano Silvio Berlusconi.

On October 26, 2023, he was appointed president of the Fondazione La Biennale di Venezia.

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