{"id":1371,"date":"2025-03-11T10:22:37","date_gmt":"2025-03-11T09:22:37","guid":{"rendered":"https:\/\/alferj.com\/?p=1371"},"modified":"2025-03-11T10:25:56","modified_gmt":"2025-03-11T09:25:56","slug":"autoritratto","status":"publish","type":"post","link":"https:\/\/alferj.com\/en\/libri\/autoritratto\/","title":{"rendered":"Autoritratto"},"content":{"rendered":"<p class=\"wp-block-paragraph translation-block\">The new play by the multi-award-winning artist is on tour in Italy's biggest theatres. With the pure gaze of youth and the unconscious irony that disconcerts Davide Enia recounts the years of lead in Sicily, the presence of Cosa Nostra in the meshes of a society as addicted to silence as to the roar of bombs, where \u00abif you stand in front of a pool of blood, the reflected image is your self-portrait\u00bb.\nAn eight-year-old boy sees his first dead man killed, while kids\u2018 balls hit downed shutters and footballers\u2019 stickers vibrate in the air.\nA teenager discovers for the first time the city where he grew up, amid the rubble of a war waged by the Mafia power. A boy on the threshold of maturity glimpses the abyss between the folds of a generation, and with all the fragility of which he is capable gives a priest with his hours counted his instructions for survival. A man of the theatre lends his voice to three agents of the dia who, like an obsession, a vocation, a duty, have fought and defeated the armed wing of Cosa Nostra.\nDavide Enia's words run furiously through these pages, through the streets and alleys of a city as addicted to silence as to the roar of bombs, where \u00abif you stand in front of a pool of blood, the reflected image is your self-portrait\u00bb<\/p>","protected":false},"excerpt":{"rendered":"<p>La nuova opera dell\u2019artista pluripremiato in tourn\u00e9e nei pi\u00f9 grandi teatri italiani. Con lo sguardo puro della giovinezza e l\u2019ironia inconsapevole che spiazza Davide Enia [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1372,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libri"],"meta_box":{"seleziona_logo":"Standard","colore":"Prefedinito","autore":"Davide Enia","citazione":"","titolo_2":"","releasedate":"","publisher":"","pages":"","translation_rights_sold_to":"","group_info_progetto":[],"immagini":[],"galleria_video":[],"autori-libri_to":["498"]},"_links":{"self":[{"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/posts\/1371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/comments?post=1371"}],"version-history":[{"count":1,"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/posts\/1371\/revisions"}],"predecessor-version":[{"id":1373,"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/posts\/1371\/revisions\/1373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/media\/1372"}],"wp:attachment":[{"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/media?parent=1371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/categories?post=1371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alferj.com\/en\/wp-json\/wp\/v2\/tags?post=1371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}