L’amore è una banana

The scene opens on an almost macabre kind of apartment-block dance — or rather, a landing dance. Successful writers and unsuccessful ones, Juventus supporters and police officers cross paths on the stairs of the building where Bernardo Barigazzi lives, widower of Francesca and father of Daguntaj. Then a complaint is filed. For what crime? For what punishment? Main characters Bernardo Barigazzi: a writer who became rich, though not because of the books he wrote. For another reason. Francesca: Barigazzi’s wife, who died in an accident in 2018. The person responsible was never identified. Daguntaj: daughter of Bernardo and Francesca. Vittorio Carrocci: a second-tier politician who is very fond of women. Elena Renzi: a leading writer married to a second-tier politician. Jacopo Manzoni: a city councillor who, if you heard him speak, you would probably call him Zioboja. Marica Bonacini: a journalist from Ravenna who, if you saw her, would think her eyes were the biggest thing about her. Cosimo De Crescenzo: a deputy police inspector who wears jeans that ride vaguely up to his armpits and has a passion for Italian music from the 1990s. Giuseppe De Rita: a police officer with a diploma from catering school. Rolando Belpoliti: a police commissioner who, if it had been up to him, would have spent the whole day playing Sudoku. Gianni Lamborghini: a retiree who refuses to come to terms with retirement. Ilaria Lamborghini: a housewife, Gianni’s wife, who refuses to come to terms with having her husband around and is thinking of divorcing him. Marzia: a former bartender with a degree in philosophy, now unemployed, Barigazzi’s girlfriend — or ex-girlfriend. Stefania: a nurse with a nursing degree and a passion for salami. Renato Ruocco: a somewhat old-fashioned plumber. Marta Ruocco: the wife of a somewhat old-fashioned plumber. Giulia Ruocco: the daughter of a somewhat old-fashioned plumber. Erika Ballardini: neighbour of the Ruoccos and the Barigazzis. Arcangelo Tonini: a notary with a scarf.


Paolo Nori, who was born in Parma in 1963 and lives in Casalecchio di Reno, holds a degree in Russian literature and has published many books including Bassotuba non c’è (1999), Si chiama Francesca, questo romanzo (2002), Noi la farem vendetta (2006), La meravigliosa utilità del filo a piombo (2012), La piccola Battaglia portatile (2015), I russi sono matti (2019) , Che dispiacere. Un’indagine su Bernardo Barigazzi (2020), Sanguina ancora. L’incredibile vita di F. M. Dostoevskij (2021), e A cosa servono i gatti (2021).
He teaches literary translation from Russian at Iulm in Milan.
He translated and edited works by Pushkin, Gogol’, Lermontov, Turgenev, Dostoevsky, Tolstoy, Gončarov, Leskov, Čechov, Chlebnikov, Charms, Bulgakov, Arkadij and Boris Strugackij, and Venedikt Erofeev.
He translated and edited for I Classici Feltrinelli Dead Souls by Nikolai Gogol', Oblomov by Ivan A. Gončarov, and The Belkin tales by Aleksandr Pushkin.
In 2022 his translation of Fyodor Dostoevsky's Notes from the Underground was released for Garzanti, and in 2023 he wrote the preface to Gianni Celati's Le avventure di Guizzardi for Feltrinelli.
In 2023, Vi avverto che vivo per l'ultima volta. Noi e Anna Achmatova was published for Mondadori.
Also in 2023 he writes and performs Due volte che sono morto, a Chora Media podcast for Rai Play Sound. His latest book is Una notte al museo russo, published by Laterza in 2024.

Between 2023 and 2024, Mondadori republishes Le cose non sono le cose, Grandi Ustionati e Diavoli in the Oscar imprint. Also, Nori is curator for Discorso su Puškin by F. M. Dostoevsky, due out in 2024. Also in 2024 Laterza publishes Una notte al museo russo.

Il suo ultimo libro è Chiudo la porta e urlo, published by Mondadori in 2024.

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